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The Camphor Flame by
Popular Hinduism is shaped, above all, by worship of a multitude of powerful divine beings--a superabundance indicated by the proverbial total of 330 million gods and goddesses. The fluid relationship between these beings and humans is a central theme of this rich and accessible study of popular Hinduism in the context of the society of contemporary India. Lucidly organized and skillfully written, The Camphor Flame brings clarity to an immensely complicated subject. C. J. Fuller combines ethnographic case studies with comparative anthropological analysis, and draws on textual and historical scholarship as well. The book begins with an analysis of namaskara--the graceful gesture with which Hindus greet and show respect to gods and goddesses and to social superiors in the human world. Hierarchy is at the heart of Hinduism and Indian society, and Fuller examines the many contexts in which unequal relationships between deities and people, and among people themselves, are expressed--or denied--in popular religion. Throughout he proposes new ways of looking at many aspects of popular Hinduism and society in India, such as the relationship between worship and sacrifice, the importance of kingship even at the local level, the place of devotionalism in popular religion, the ritual power of goddesses and women, the connection between alternative explanations of misfortune, and the common basis of rituals that range from the most complicated to the simple showing of a single camphor flame to a god or goddess.
The Hindus by
An engrossing and definitive narrative account of history and myth that offers a new way of understanding one of the world's oldest major religions, The Hindus elucidates the relationship between recorded history and imaginary worlds. The Hindus brings a fascinating multiplicity of actors and stories to the stage to show how brilliant and creative thinkers have kept Hinduism alive in ways that other scholars have not fully explored. In this unique and authoritative account, debates about Hindu traditions become platforms to consider history as a whole.
Exploring the Yogasutra by
Patanjali's Yogasutra is an ancient canonic Indiantext composed in Sanskrit in the 3rd or 4th century. Belonging to a verydifferent cultural milieu, this multi-layered text is philosophical, psychological and practical in nature. Offering a philosophical reading ofPatanjali's Yogasutra, this book discusses themes such as freedom, self-identity, timeand transcendence, and translation - between languages, cultures and eras. Drawing substantially upon contemporary Indian materials, it discussesfor the first time classical yoga as reflected upon by Daya Krishna (1924-2007)with constant reference to Krishna Chandra Bhattacharyya's (1875-1949) studiesin yoga philosophy. The genuine attempt on behalf of these two originalthinkers to engage philosophically with Patanjala-yoga sets the tone of thetextual exploration provided here. This book features a new annotated translation ofthe Yogasutra, and the author provides a useful background to the extensive Samkhya terminologyemployed by Patanjali. Daniel Raveh also offers a close reflection of the veryact of translation, and the book concludes with suggestions for further readingand a glossary of central notions."
The Yoga Sutra of Patanjali by
The rise, fall, and modern resurgence of an enigmatic book revered by yoga enthusiasts around the world Consisting of fewer than two hundred verses written in an obscure if not impenetrable language and style, Patanjali's Yoga Sutra is today extolled by the yoga establishment as a perennial classic and guide to yoga practice. As David Gordon White demonstrates in this groundbreaking study, both of these assumptions are incorrect. Virtually forgotten in India for hundreds of years and maligned when it was first discovered in the West, the Yoga Sutra has been elevated to its present iconic status--and translated into more than forty languages--only in the course of the past forty years. White retraces the strange and circuitous journey of this confounding work from its ancient origins down through its heyday in the seventh through eleventh centuries, its gradual fall into obscurity, and its modern resurgence since the nineteenth century. First introduced to the West by the British Orientalist Henry Thomas Colebrooke, the Yoga Sutra was revived largely in Europe and America, and predominantly in English. White brings to life the improbable cast of characters whose interpretations--and misappropriations--of the Yoga Sutra led to its revered place in popular culture today. Tracing the remarkable trajectory of this enigmatic work, White's exhaustively researched book also demonstrates why the yoga of India's past bears little resemblance to the yoga practiced today.
Hindu Mythology by
The Mahapuranas embody the received tradition of Hindu mythology. This anthology contains fresh translations of these myths, only a few of which have ever been available in English before, thus providing a rich new portion of Hindu mythology. The book is organized into six chapters. Origins contains myths relating to creation, time, and space. Seers, Kings and Supernaturals relates tales of rivers, trees, animals, demons, and men, particularly heroes and sages. Myths about the chief gods are dealt with in three separate chapters: Krsna, Visnu, and Siva. The chapter The Goddess presents stories of the wives and lovers of the gods, as well as of Kali, the savage battle goddess. In their introductions, the editors provide a historical setting in which to discuss Hindu mythology as well as a full analysis of its basic sources. The many names given the gods and goddesses in the Sanskrit texts have been retained since their multiplicity is an essential part of the richness of the original. The editors have provided a thorough glossary to make these names accessible.
The Upanishads by
An 'Upanisad' is a teaching session with a guru, and these thirteen texts, the 'Principal Upanisads', form a series of philosophical discourses between teacher and student that question the inner meaning of the world. Composed from around the eighth century BCE, the Upanisads have been central to the development of Hinduism, and explore the central doctrines of rebirth, karma, overcoming death, and achieving detachment, equilibrium and spiritual bliss. Speaking to the reader in direct, unadorned prose or lucid verse, they embody humanity's perennial search for truth and knowledge.
Ramayana by
One of India's two greatest epics, the Ramayana pervades the country's moral and cultural consciousness. For generations it has served as a bedtime story for Indian children, while at the same time engaging the interest of philosophers and theologians. Now this magnificent translation makes the monumental work available to a new audience. Believed to have been composed by Valmiki sometime between the eighth and sixth centuries BC, the Ramayana tells the tragic and magical story of Rama, the prince of Ayodhya, an incarnation of Lord Visnu, born to rid the earth of the terrible demon Ravana. Exiled for fourteen years because of his stepmother's fit of jealousy on the eve of his coronation, Rama enters the forests of Dandaka with his beautiful wife Sita and devoted brother Laksmana. Sita is abducted from the forest by Ravana who takes her to his isolated kingdom on the far side of the southern ocean. The two brothers set out to rescue her and, along the way, make an alliance with a dispossessed monkey, king Sugriva. At the end of a bloody war Ravana is killed and Sita, reunited with her husband, and victorious Rama returns to Ayodhya to claim the throne that is rightfully his. An idealized heroic tale ending with the inevitable triumph of good over evil, the Ramayana is also an intensely personal story of family relationships, love and loss, duty and honour, of harem intrigue, petty jealousies and destructive ambitions. All this played out in a universe populated by larger-than-life humans, gods and celestial beings, wondrous animals and terrifying demons. In her translation Arshia Sattar has successfully bridged both time and space to make this ancient classic accessible to the present-day English reader. An added attraction is her superb introduction which provides new insights and background information for both the general reader and scholar alike.
The Mahabharata by
A new selection from the national epic of India Originally composed in Sanskrit sometime between 400 BC and 400 AD, The Mahabharata-with one hundred thousand stanzas of verse-is one of the longest poems in existence. At the heart of the saga is a conflict between two branches of a royal family whose feud culminates in a titanic eighteen-day battle. Exploring such timeless subjects as dharma (duty), artha (purpose), and kama (pleasure) in a mythic world of warfare, magic, and beauty, this is a magnificent and legendary Hindu text of immense importance to the culture of the Indian subcontinent. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Bhagavad Gita by
Stanley Lombardo's new verse translation of the most famous free-standing sequence from the great Indian epic The Mahabharata hews closely to the meaning, verse structure, and performative quality of the original and is invigorated by its judicious incorporation of key Sanskrit terms in transliteration, for which a glossary is also provided. The translation is accompanied by Richard H. Davis' brilliant Introduction and Afterword. The latter, "Krishna on Modern Fields of Battle," offers a fascinating look at the illuminating role the poem has played in the lives and struggles of a few of the most accomplished figures in recent world history.
An Introduction to Hinduism by
This book provides a much-needed thematic and historical introduction to Hinduism, the religion of the majority of people in India. Dr Flood traces the development of Hindu traditions from their ancient origins, through the major deities of Visnu, Siva and the Goddess, to the modern world. Hinduism is discussed as both a global religion and a form of nationalism. Emphasis is given to the tantric traditions, which have been so influential; to Hindu ritual, which is more fundamental to the life of the religion than are specific beliefs or doctrines; and to Dravidian influences from south India. An Introduction to Hinduism examines the ideas of dharma, particularly in relation to the ideology of kingship, caste and world renunciation. Dr Flood also introduces some debates within contemporary scholarship about the nature of Hinduism. It is suitable both for the student and for the general reader.
Sacred Matters by
Explores how objects shape the worlds of religious participants across a range of South Asian traditions.
Dar San, Seeing the Divine Image in India by
This book contextualizes the practice of worshiping different gods in their material form in South Asia. The book also contextualizes the various rituals and practices that go into performing worship.
Women in Ochre Robes by
Focuses on the lives of female Hindu ascetics and the significance of gender to the tradition of renunciation.
Bringing the Gods to Mind by
This elegantly written book introduces a new perspective on Indic religious history by rethinking the role of mantra in Vedic ritual. In Bringing the Gods to Mind, Laurie Patton takes a new look at mantra as "performed poetry" and in five case studies draws a portrait of early Indian sacrifice that moves beyond the well-worn categories of "magic" and "magico-religious" thought in Vedic sacrifice. Treating Vedic mantra as a sophisticated form of artistic composition, she develops the idea of metonymy, or associational thought, as a major motivator for the use of mantra in sacrificial performance. Filling a long-standing gap in our understanding, her book provides a history of the Indian interpretive imagination and a study of the mental creativity and hermeneutic sophistication of Vedic religion.
The Origins of Yoga and Tantra by
Yoga, tantra and other forms of Asian meditation are practised in modernized forms throughout the world today, but most introductions to Hinduism or Buddhism tell only part of the story of how they developed. This book is an interpretation of the history of Indic religions up to around 1200 CE, with particular focus on the development of yogic and tantric traditions. It assesses how much we really know about this period, and asks what sense we can make of the evolution of yogic and tantric practices, which were to become such central and important features of the Indic religious scene. Its originality lies in seeking to understand these traditions in terms of the total social and religious context of South Asian society during this period, including the religious practices of the general population with their close engagement with family, gender, economic life and other pragmatic concerns.
